The Lord of the Rings by J.R.R. Tolkien
The Lord of the Rings is an epic high-fantasy novel written by English author J. R. R. Tolkien. The story began as a sequel to Tolkien’s 1937 fantasy novel The Hobbit, but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling novels ever written, with over 150 million copies sold.
The title of the novel refers to the story’s main antagonist, the Dark Lord Sauron,[note 1] who had in an earlier age created the One Ring to rule the other Rings of Power as the ultimate weapon in his campaign to conquer and rule all of Middle-earth. From quiet beginnings in the Shire, a hobbit land not unlike the English countryside, the story ranges across Middle-earth, following the course of the War of the Ring through the eyes of its characters, not only the hobbits Frodo Baggins, Samwise “Sam” Gamgee, Meriadoc “Merry” Brandybuck and Peregrin “Pippin” Took, but also the hobbits’ chief allies and travelling companions: the Men Aragorn son of Arathorn, a Ranger of the North, and Boromir, a Captain of Gondor; Gimli son of Glóin, a Dwarf warrior; Legolas Greenleaf, an Elven prince; and Gandalf, a Wizard.
The work was initially intended by Tolkien to be one volume of a two-volume set, the other to be The Silmarillion, but this idea was dismissed by his publisher. For economic reasons The Lord of the Rings was published in three volumes over the course of a year from 29 July 1954 to 20 October 1955. The three volumes were titled The Fellowship of the Ring, The Two Towers, and The Return of the King. Structurally, the novel is divided internally into six books, two per volume, with several appendices of background material included at the end of the third volume. Some editions combine the entire work into a single volume. The Lord of the Rings has since been reprinted numerous times and translated into 38 languages.
Tolkien’s work has been the subject of extensive analysis of its themes and origins. Although a major work in itself, the story was only the last movement of a larger epic Tolkien had worked on since 1917, in a process he described as mythopoeia. Influences on this earlier work, and on the story of The Lord of the Rings, include philology, mythology, religion and the author’s distaste for the effects of industrialization, as well as earlier fantasy works and Tolkien’s experiences in World War I. These inspirations and themes have often been denied by Tolkien himself. The Lord of the Rings in its turn is considered to have had a great effect on modern fantasy; the impact of Tolkien’s works is such that the use of the words “Tolkienian” and “Tolkienesque” have been recorded in the Oxford English Dictionary.
The enduring popularity of The Lord of the Rings has led to numerous references in popular culture, the founding of many societies by fans of Tolkien’s works, and the publication of many books about Tolkien and his works. The Lord of the Rings has inspired, and continues to inspire, artwork, music, films and television, video games, and subsequent literature. Award-winning adaptations of The Lord of the Rings have been made for radio, theatre, and film. In 2003, it was named Britain’s best-loved novel of all time in the BBC’s The Big Read.
Amazon Book Description
One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkness bind them
In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins.
From Sauron’s fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion.
When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom.
The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.
This new edition includes the fiftieth-anniversary fully corrected text setting and, for the first time, an extensive new index.
J.R.R. Tolkien (1892-1973), beloved throughout the world as the creator of The Hobbit, The Lord of the Rings, and The Silmarillion, was a professor of Anglo-Saxon at Oxford, a fellow of Pembroke College, and a fellow of Merton College until his retirement in 1959. His chief interest was the linguistic aspects of the early English written tradition, but while he studied classic works of the past, he was creating a set of his own.
Praise for The Lord of the Rings
“An extraordinary work — pure excitement.” — New York Times Book Review
“One of the great fairy-tale quests in modern literature.” — Time
“A remarkable book.” — Newsweek
“One of the very few works of genius in recent literature.” — New Republic
“A work of immense narrative power that can sweep the reader up and hold him enthralled for days and weeks.” — The Nation
“Here are beauties which pierce like swords or burn like cold iron.” — C. S. Lewis
“The first thing one asks of an adventure story is that the adventure should be various and exciting . . . Tolkien’s invention is unflagging.” — W. H. Auden
“J.R.R. Tolkien’s epic trilogy remains the ultimate quest, the ultimate battle between good and evil, the ultimate chronicle of stewardship of the earth. Endlessly imitated, it never has been surpassed.” — Kansas City Star
“A masterful story . . . an epic in its own way . . . with elements of high adventure, suspense, mystery, poetry, and fantasy.” — Boston Sunday Herald
A Christian can almost be forgiven for not reading the Bible, but there’s no salvation for a fantasy fan who hasn’t read the gospel of the genre, J.R.R. Tolkien’s definitive three-book epic, the Lord of the Rings (encompassing The Fellowship of the Ring, The Two Towers, and The Return of the King), and its charming precursor, The Hobbit. That many (if not most) fantasy works are in some way derivative of Tolkien is understood, but the influence of the Lord of the Rings is so universal that everybody from George Lucas to Led Zeppelin has appropriated it for one purpose or another.
Not just revolutionary because it was groundbreaking, the Lord of the Rings is timeless because it’s the product of a truly top-shelf mind. Tolkien was a distinguished linguist and Oxford scholar of dead languages, with strong ideas about the importance of myth and story and a deep appreciation of nature. His epic, 10 years in the making, recounts the Great War of the Ring and the closing of Middle-Earth’s Third Age, a time when magic begins to fade from the world and men rise to dominance. Tolkien carefully details this transition with tremendous skill and love, creating in the Lord of the Rings a universal and all-embracing tale, a justly celebrated classic. –Paul Hughes –This text refers to an out of print or unavailable edition of this title.
From Library Journal
New Line Cinema will be releasing “The Lord of the Rings” trilogy in three separate installments, and Houghton Mifflin Tolkien’s U.S. publisher since the release of The Hobbit in 1938 will be re-releasing each volume of the trilogy separately and in a boxed set (ISBN 0-618-15397-7. $22; pap. ISBN 0-618-15396-9. $12).
Copyright 2001 Reed Business Information, Inc. –This text refers to an out of print or unavailable edition of this title.
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