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Dubliners – James Joyce

Dubliners – Dubliners is a collection of fifteen short stories by James Joyce, first published in 1914.[1] They form a naturalistic depiction of Irish middle class life in and around Dublin in the early years of the 20th century.

The stories were written when Irish nationalism was at its peak, and a search for a national identity and purpose was raging; at a crossroads of history and culture, Ireland was jolted by various converging ideas and influences. They centre on Joyce’s idea of an epiphany: a moment where a character experiences a life-changing self-understanding or illumination. Many of the characters in Dubliners later appear in minor roles in Joyce’s novel Ulysses.[2] The initial stories in the collection are narrated by child protagonists, and as the stories continue, they deal with the lives and concerns of progressively older people. This is in line with Joyce’s tripartite division of the collection into childhood, adolescence and maturity.

Editorial Reviews

Starred Review. Frank and Malachy McCourt and 13 Irish actors bring Joyce’s short stories to life in this well-produced audiobook. None of the readers employ a thick accent in the narrative portions, but for dialogue they let their imitative talents shine and their Irish lilts bloom. Brendan Coyle and Charles Keating, reading “A Little Cloud” and “Grace” respectively, give such wonderful expression to the idiosyncrasies of every individual voice that the listener is never confused even when numerous men are talking. Joyce wrote only sparingly in actual dialect, but most of the readers interpret his intentions freely and successfully. Fionnula Flanagan is perfect reading “A Mother,” her voice shifting easily between prim and proper tones and fiery indignation punctuated with little sighs. It helps that Joyce’s writing is so masterful that when Flanagan and the two other actresses read the three stories that revolve around women, their words sound utterly natural. Not all the performances are on the same level—Stephen Rea’s cold, somber voice is apt for the meditative beginning and ending sections of the collection’s most famous story, “The Dead,” but too flat for the central description of a lively party. This audiobook creates the atmosphere of a fireside storytelling session that will hold any listener in rapt attention. (May)
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About the Author

James Augustine[1] Aloysius Joyce (2 February 1882 – 13 January 1941) was an Irish novelist, short story writer, and poet. He contributed to the modernist avant-garde and is regarded as one of the most influential and important authors of the 20th century. Joyce is best known for Ulysses (1922), a landmark work in which the episodes of Homer’s Odyssey are paralleled in a variety of literary styles, perhaps most prominently stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, his published letters and occasional journalism.

Joyce was born in 41 Brighton Square, Rathgar, Dublin, into a middle-class family on the way down. A brilliant student, he briefly attended the Christian Brothers-run O’Connell School before excelling at the Jesuit schools Clongowes and Belvedere, despite the chaotic family life imposed by his father’s alcoholism and unpredictable finances. He went on to attend University College Dublin.

In 1904, in his early twenties, Joyce emigrated to continental Europe with his partner (and later wife) Nora Barnacle. They lived in Trieste, Paris and Zurich. Alhough most of his adult life was spent abroad, Joyce’s fictional universe centres on Dublin, and is populated largely by characters who closely resemble family members, enemies and friends from his time there. Ulysses in particular is set with precision in the streets and alleyways of the city. Shortly after the publication of Ulysses, he elucidated this preoccupation somewhat, saying, “For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.

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